Teaser list [Desaparecidos - ENG]
Active filters: Sex: femmina | Faction: The dissidents | Cancel filters
Filter and order
Filter by state:
Available -
Taken -
Female -
Male -
Unisex -
Filter by group: Solidaridad (The .) - El pueblo (The .) - The democratic opposition (The .) - The MIR (The .) - The Military (The .) - Villa Grimaldi personnel (The .) - Filter by faction/category: The clergy - The dissidents - The regime -
Order by::
Random -
Name -
Group
Search
Teaser list
Personaggi visualizzati: 10
#47 - Laura Allende, The mother to the Cause (Character played by V. K.)
Motto: 'Stat rosa pristina nomine, nomina nuda tenemus. (U. Eco) Alignment: The dissidents - Group: El pueblo - Nationality: Chile - Gender: Female - Player's Age: Mature - DISCLAIMER: Disclaimer: The characters and the stories presented in DESAPARECIDOS are inspired by people and real facts, but their description and characterization is totally the result of imagination. In the writing of the event numerous liberties have been taken, especially as regards the characterization of the characters, the images used and the succession of the various events, which never claim to reflect the reality of the facts or behavior of historical characters. The interpretation of the players and the evolution of the narrative will lead to moments and events quite distant from historical reality. It is not intention of the authors to express any specific position or to make judgments on specific facts that actually occurred -except to condemn the use of any form of violence by anyone- nor to diminish in any way the historical and personal tragedy of the Chilean people and thousands of families involved in the drama of the desaparecidos.
Teaser: Pompous Laura walked, boasting the Allende’s name and enjoying the golden light radiating from her brother Salvador and his position of power. Then one morning there was smoke and rubble, her life crumbled and that bright dawn became a mournful sunset. But her name survived like a death sentence and a curse, both idolized and loathed, a bulwark of resistance and a lineage to suppress. And to think that Laura only wanted a peaceful life for herself and her son Andrés Pascal… But in this cruel time, even life is a luxury.
Relations: She loves her son Andres Pascal more than anything and would give her life for him. She is friend with Ofelia Distal who is also her confidant. In Santiago she recently met Paul Schafer a charming land owner. He’s reserved, but also polite and educated.
#49 - Ofelia Distal, The motherly wife (Character played by S. B.)
Motto:
Resignation is a daily suicide.
( H. De Balzac) Alignment: The dissidents - Group: El pueblo - Nationality: Chile - Gender: Female - Player's Age: any age - DISCLAIMER: Disclaimer:
The characters and the stories presented in DESAPARECIDOS are inspired by people and real facts, but their description and characterization is totally the result of imagination.
In the writing of the event numerous liberties have been taken, especially as regards the characterization of the characters, the images used and the succession of the various events, which never claim to reflect the reality of the facts or behavior of historical characters.
The interpretation of the players and the evolution of the narrative will lead to moments and events quite distant from historical reality.
It is not intention of the authors to express any specific position or to make judgments on specific facts that actually occurred -except to condemn the use of any form of violence by anyone- nor to diminish in any way the historical and personal tragedy of the Chilean people and thousands of families involved in the drama of the desaparecidos.
Teaser:
Ofelia wants anything and everything: her husband love, the milky scent of dear Manuelita’s kisses, her safe job at the Ministry. But nothing is mote intoxicating than money to her. Dollars, pesos, liras that flow under her eyes every day at work. With money you can buy anything: men, ideas, affection. Ofelia knows that the future will claim its toll with an unstoppable strength and booming voice, like that day when the artillery bley and la Moneda crumbled, on that morning, when everything changed.
Relations:
Her husband Hector Hernan Gonzales Osorio gave her everything a woman could aspire to: a family, a nice house and love. She uses to meet at a cafè with Laura Allende they are friends and confidants. She feels guilty towards Osvaldo Romo: he used to live nearby and they were friends, but his life hasn’t been as easy as hers.
#51 - Adriana Urrutia Assenjio, The busy bee (Character played by F. F.)
Motto: Disguise fair nature with hard-favored rage, then lend the eye a terrible aspect.(W. Shakespeare) Alignment: The dissidents - Group: El pueblo - Nationality: Chile - Gender: Female - Player's Age: any age - DISCLAIMER: Disclaimer: The characters and the stories presented in DESAPARECIDOS are inspired by people and real facts, but their description and characterization is totally the result of imagination. In the writing of the event numerous liberties have been taken, especially as regards the characterization of the characters, the images used and the succession of the various events, which never claim to reflect the reality of the facts or behavior of historical characters. The interpretation of the players and the evolution of the narrative will lead to moments and events quite distant from historical reality. It is not intention of the authors to express any specific position or to make judgments on specific facts that actually occurred -except to condemn the use of any form of violence by anyone- nor to diminish in any way the historical and personal tragedy of the Chilean people and thousands of families involved in the drama of the desaparecidos.
Teaser: Adriana gave up herself into being a mother, a wife, a friend and a lover, an accomplice and a partner. She always did her best to satisfy Umberto and their daughter Marisol. She followed her husband to political meetings and took care of the child. Still, in Umberto’s eyes, she doesn’t see anymore the sweet love that once burned there, only dissatisfaction. And so Adriana feels she isn’t enough: not beautiful enough, or loyal to the cause, not enough motherly, firm and efficient. She’s unfit to a life, to a man, to a role. These failed expectations are a chain heavier than the holy vows binding and strangling her.
Relations: Umberto Edgardo Mewes is her husband, but things are not working between them. A few years back, nurse Maria Elena Soza saved her husband’s leg after a work accident. Since then they are good friends. She admires deeply Michelle Bachelet and would like to be so strong, passionate and fearless.
#53 - Michelle Bachelet, The warded revolutionary (character available)
Motto:
A man does what he can; a woman does what a man cannot.
(I. Allende) Alignment: The dissidents - Group: The democratic opposition - Nationality: Chile - Gender: Female - Player's Age: Young - DISCLAIMER: Disclaimer:
The characters and the stories presented in DESAPARECIDOS are inspired by people and real facts, but their description and characterization is totally the result of imagination.
In the writing of the event numerous liberties have been taken, especially as regards the characterization of the characters, the images used and the succession of the various events, which never claim to reflect the reality of the facts or behavior of historical characters.
The interpretation of the players and the evolution of the narrative will lead to moments and events quite distant from historical reality.
It is not intention of the authors to express any specific position or to make judgments on specific facts that actually occurred -except to condemn the use of any form of violence by anyone- nor to diminish in any way the historical and personal tragedy of the Chilean people and thousands of families involved in the drama of the desaparecidos.
Teaser:
Since his father has gone missing, Michelle often remembers her classmates bitter snares, how they ironically smiled at her raised fist and shouted protests. With a mother working at the Ministry and a father in the Army she was untouchable, or so they said. She never realized how they were right until she lost her sheltered life. Now she faces the agony of not knowing what happened to her father, living with her mother Angela who doesn’t get her. Michelle knows that the courage needed to defeat this great enemy threatening her whole being, as a woman, as a citizen, is not in the slogans anymore, but in the deepest of her heart.
Relations:
Angela Bachelet is her mother and their relationship has cracked, for Angela doesn’t like her daughter being close to the opposition movement. She lives in the same neighbourhood of Adriana Urrutia Assenjio and they often speak. Some years ago Rosa Humilde Ramos was a good friend of hers; she still remembers fondly the time spent together, laughing and gossiping.
#54 - Angela Jeria de Bachelet, An emancipated woman (Character played by I. P.)
Motto:
Nice people with common sense do not make interesting characters. They only make good former spouses.
(I. Allende) Alignment: The dissidents - Group: El pueblo - Nationality: Chile - Gender: Female - Player's Age: Mature - DISCLAIMER: Disclaimer:
The characters and the stories presented in DESAPARECIDOS are inspired by people and real facts, but their description and characterization is totally the result of imagination.
In the writing of the event numerous liberties have been taken, especially as regards the characterization of the characters, the images used and the succession of the various events, which never claim to reflect the reality of the facts or behavior of historical characters.
The interpretation of the players and the evolution of the narrative will lead to moments and events quite distant from historical reality.
It is not intention of the authors to express any specific position or to make judgments on specific facts that actually occurred -except to condemn the use of any form of violence by anyone- nor to diminish in any way the historical and personal tragedy of the Chilean people and thousands of families involved in the drama of the desaparecidos.
Teaser:
It's not easy being a woman as Mrs Jaria de Bachelet is: an educated anthropologist, an expert of human nature. She’s not the stereotypical chilean woman and mother, quiet and obedient. She proudly offers her daughter Michelle and example of emancipation and freedom to follow, but as she found herself with an absent husband, alone and with no help, she felt lost and powerless, as any woman dealing with a rebellious child would. As fear prickles her most sensible strings, it also quickly turns love into grudge, lies into half truths, damnation into salvation.
Relations:
Michelle Bachelet is her daughter. Since she enrolled into university she’s changed and Angela fears for her. She’s been knowing Alba Pinera since many years and still remembers fondly all their chatting at Alba’s family mansion. Gonzalo Santelices Cuevas is also a longstanding friend; they used to be very close.
#56 - Carmen Yanez, Poetry's last scream (Character played by M. F.)
Motto:
When fear bit the flesh
and we hold on names
hidden among fold of sweat.
As death flapped its wings
out there
and kindness stood silent. Alignment: The dissidents - Group: The democratic opposition - Nationality: Chile - Gender: Female - Player's Age: any age - DISCLAIMER: Disclaimer:
The characters and the stories presented in DESAPARECIDOS are inspired by people and real facts, but their description and characterization is totally the result of imagination.
In the writing of the event numerous liberties have been taken, especially as regards the characterization of the characters, the images used and the succession of the various events, which never claim to reflect the reality of the facts or behavior of historical characters.
The interpretation of the players and the evolution of the narrative will lead to moments and events quite distant from historical reality.
It is not intention of the authors to express any specific position or to make judgments on specific facts that actually occurred -except to condemn the use of any form of violence by anyone- nor to diminish in any way the historical and personal tragedy of the Chilean people and thousands of families involved in the drama of the desaparecidos.
Teaser:
The smell of fresh grass and the stink of fear, the fiery passion and the cold terror, friendly hands caressing the skin and harsh ones violating the body. The prayers and the screams, the blind anger and the resigned desperation. Cold, tears, blood, sweat and insanity. Poetry is a catharsis for Carmen, an excruciating thought from a past long gone. Today there is death and a mournful silence, and the pen that once danced at the tune of democracy and freedom, is forever broken.
Relations:
At her book presentation she met Professor Gustavo Ruiz who asked her to sign his copy; he was enthusiast of her work.
Marcia Scantlebury is a dear friend who always encouraged her to give a soul to her thoughts and poetry. She fondly remembers a childhood friend Rosa Humilde Ramos a kind and gentle girl; now that girl stands beyond an abyss.
#57 - Marcia Scantlebury, The broken pen (Character played by A. B.)
Motto:
Rebels won't always change the world. But the world won't ever change the rebels.
(A. De Benoist) Alignment: The dissidents - Group: The MIR - Nationality: Chile - Gender: Female - Player's Age: any age - DISCLAIMER: Disclaimer:
The characters and the stories presented in DESAPARECIDOS are inspired by people and real facts, but their description and characterization is totally the result of imagination.
In the writing of the event numerous liberties have been taken, especially as regards the characterization of the characters, the images used and the succession of the various events, which never claim to reflect the reality of the facts or behavior of historical characters.
The interpretation of the players and the evolution of the narrative will lead to moments and events quite distant from historical reality.
It is not intention of the authors to express any specific position or to make judgments on specific facts that actually occurred -except to condemn the use of any form of violence by anyone- nor to diminish in any way the historical and personal tragedy of the Chilean people and thousands of families involved in the drama of the desaparecidos.
Teaser:
Sometimes life asks for a fight, until the last breath. Marcia began her struggle at Punto Final, the newspaper she worked for, where her bravery only met fear, indifference and convenience. Her ideals broke against a stronger wall that only bombs will destroy where her pen failed. Sometimes life asks to marry a rifle, cradle a knife between the breasts, plan an attack with other MIR comrades. What life also ask is to drown sorrow when these brothers and sister in arms die. Life asks to never surrender, even when the pain for such losses is not the only wight one carries.
Relations:
She left Punto Final because Manuel Cabieses Donoso never liked her provocative articles and dind’t want to publish anything against the Government. Lately, she often turns to Doctor Alejandro Romero as the fight is taking its toll on her and she needs medical attentions. Felix Buendia was once an intimate friend, but now she fiercely despises him. Carmen Yanez is a good friend and her poetry an inspiration.
#61 - Blanca Alfonsin, The heartless revolutionary (Character played by M. S.)
Motto:
And if it's worth taking the risk, I'll wager even the last fragment of my heart.
(E. Che Guevara) Alignment: The dissidents - Group: The MIR - Nationality: Chile - Gender: Female - Player's Age: Young - DISCLAIMER: Disclaimer:
The characters and the stories presented in DESAPARECIDOS are inspired by people and real facts, but their description and characterization is totally the result of imagination.
In the writing of the event numerous liberties have been taken, especially as regards the characterization of the characters, the images used and the succession of the various events, which never claim to reflect the reality of the facts or behavior of historical characters.
The interpretation of the players and the evolution of the narrative will lead to moments and events quite distant from historical reality.
It is not intention of the authors to express any specific position or to make judgments on specific facts that actually occurred -except to condemn the use of any form of violence by anyone- nor to diminish in any way the historical and personal tragedy of the Chilean people and thousands of families involved in the drama of the desaparecidos.
Teaser:
Blanca cradles her rifle as a child would with her favorite doll singing a rebellious lullaby. Her eyes are fierce, her smile is the unbreakable one of youth as she runs to a smoky basement, where she and her comrades print flyers speaking of revolution, armed fight and freedom. On a bright summer day, Blanca left her toys and her father’s mansion without looking back, her head held high, marching off to a red horizon. Red as her flag, red as the blood she would drown her innocence into. Is this the rightful price to pay for? If it is, then, let there be blood.
Relations:
She despises her father Jorge Alfonsin for working alongside the Junta. When she still lived with him, before joining the MIR, she met at a formal dinner Nelida Gutierrez Rivera a social climber who betrayed her people. A few years back Ramira Luz took service in the Alfonsin residence; she came from the countryside and between them blossomed a strong friendship. When Ramira quit, they got out of touch.
#64 - Amalia De Villa Gonzales, The Christian patroness (Character played by E. c.)
Motto:
There's a degree of callous falseness which is called a clear conscience.
(F. Nietzsche) Alignment: The dissidents - Group: El pueblo - Nationality: Chile - Gender: Female - Player's Age: any age - DISCLAIMER: Disclaimer:
The characters and the stories presented in DESAPARECIDOS are inspired by people and real facts, but their description and characterization is totally the result of imagination.
In the writing of the event numerous liberties have been taken, especially as regards the characterization of the characters, the images used and the succession of the various events, which never claim to reflect the reality of the facts or behavior of historical characters.
The interpretation of the players and the evolution of the narrative will lead to moments and events quite distant from historical reality.
It is not intention of the authors to express any specific position or to make judgments on specific facts that actually occurred -except to condemn the use of any form of violence by anyone- nor to diminish in any way the historical and personal tragedy of the Chilean people and thousands of families involved in the drama of the desaparecidos.
Teaser:
A nice mansion, couture dresses and galas: Amelia lives an upscale life, never asking, all deserving. She shares her fortune with the poors, those in need, organizing fundraising dinners, financing charity events, blaming her friends’ indifference and being the patroness of a soup kitchen run by the nuns. For many of her powerful friends charity is only one of her eccentric entertainments, one less interesting that her being able to speak with the dead. A woman of rare Christian morality, she smiles listening when she’s complimented on her good heart, and gracefully complies, when asked to show her talent.
Relations:
She once asked Josè Lopez Olivares to run a clinic for the less fortunate, but he laughed at her, telling her that if he’d wanted to be in charity business, then he’d be a priest. He’s nothing like the pious and good hearted Carmela Castro a charitable, dear girl that works in the soup kitchen. Sister Ana Luz de la Vega runs the soup kitchen, she’s capable and strong mindend.
#65 - Juana Francisca Ramirez, Red Flag, Red Love (Character played by C. H.)
Motto:
Had I not seen the Sun I could have borne the shade.
(Emily Dickinson) Alignment: The dissidents - Group: The democratic opposition - Nationality: Chile - Gender: Female - Player's Age: any age - DISCLAIMER: Disclaimer:
The characters and the stories presented in DESAPARECIDOS are inspired by people and real facts, but their description and characterization is totally the result of imagination.
In the writing of the event numerous liberties have been taken, especially as regards the characterization of the characters, the images used and the succession of the various events, which never claim to reflect the reality of the facts or behavior of historical characters.
The interpretation of the players and the evolution of the narrative will lead to moments and events quite distant from historical reality.
It is not intention of the authors to express any specific position or to make judgments on specific facts that actually occurred -except to condemn the use of any form of violence by anyone- nor to diminish in any way the historical and personal tragedy of the Chilean people and thousands of families involved in the drama of the desaparecidos.
Teaser:
She tried to bury under the ashes that tiny sparkle that kept coming to life; then a breath, slow and deep, kindled the flame that took fire. She wielded, to the sweet burning of passion, taking his hand, following him into clandestine meetings. Basements became the alcove for lovers, the red flag a blanket for their love. Promises exchanged in the dark, shared revolutionaries dreams, fingers tied and fists raised. Red the cause, red their love, red the cause she married alongside him. Yesterday, today and ‘till death do them part, in sacred vow that binds them. Until the time of choices will come, to shatter dreams and illusions.
Relations:
Eduardo Sandoval had a crush on her when they were studying at the university, but she chose Ramon Valdez whom she loves deeply. During a protest she met Father Omar Venturelli Lionelli and keeps wishing that this fierce priest will one day marry them.